The film, set in 1935, portrays executions in Louisiana as being carried out by electrocution, even though the Louisiana Legislature did not replace hanging with electrocution until 1940.
(at roughly 2 hours 5 minutes) In The Green Mile (1999), when Paul and Brutal secure Percy in the straitjacket, the garment shown uses buckle fastenings. Buckle-fastened straitjackets did not appear until the 1980s; before then they were the lace-up kind threaded through eyelets.
(at around 2h 5 mins) Although Scotch tape was invented in the 1930s, it had a yellowish tint and would not have been used over a person's mouth. It did not possess the tackiness of contemporary parcel tape and would come away immediately when exposed to saliva. Instead, white cloth adhesive bandages supplied on a metal reel that sat in a steel sleeve would have been used. Early Johnson & Johnson Band-Aids (plasters) were made of cloth with a sticky white adhesive that left residue on removal. Transparent parcel tape did not become widespread until the 1980s. Even the packaging tape available in the 1970s, made from the same plastic, tended to be brown.
(at around 1 hr 14 mins) Although the film is set in 1935, Eduard Delacroix is shown reading a November 1937 copy of "Weird Tales".
(around the two-hour mark) The prison officers spike a cup of Royal Crown Cola with a sedative to knock Wild Bill unconscious so they can take Coffey to the Warden's wife. The Royal Crown Cola bottles shown are not from 1934–35, when the film is set, but are styles from the 1950s. The earliest painted RC bottles display pyramid motifs and bear a 1936 copyright on the label; before that the drinks were likely sold in plain, embossed glass bottles.
(at around 25 minutes) It is highly improbable that a radio station in 1930s Louisiana would have played a recording by Billie Holiday.
(at around 58 minutes) On the desk in "E-Block" at Cold Mountain sits a small black clock. It is next to the telephone and faces the wall behind the desk. When Wild Bill is brought into the cell block and a fight breaks out, the clock is knocked off the desk. That moment clearly reveals the timepiece: a Westclox Big Ben "Style 5". The "Style 5" was designed by Henry Dreyfuss and introduced in 1939, with production continuing until 1949. As the film is set in 1935, that particular model should not be there (especially considering how worn it appears).
Popular singer of the 1940s and 1950s Eddy Howard appears on three tracks from the soundtrack, all recorded on 4 October 1940 (five years after the film is set), with a small jazz ensemble that included pianist Teddy Wilson.
On the wall of his office, Warden Hal Moores has a portrait of Franklin D. Roosevelt, who was President of the United States in 1935. However, the picture is actually Roosevelt's official White House portrait, painted by the artist Frank O. Salisbury in 1947, two years after Roosevelt's death.
When Paul goes into the kitchen to see his wife after his urinary-tract infection has cleared up, Billie Holiday's 1936 recording of 'I Can't Give You Anything But Love' can be heard on the wireless. The film is, however, set in 1935.
Paul observes "You'll be better off picturing this place as the intensive care ward of a hospital". The phrase "intensive care ward" (or "unit") did not come into use until the early 1950s.











