By employing the observational method, Marie Dvorakova recorded almost 450 hours of footage over a five-year period.
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The Frick Collection granted the production permission to film a scene in front of Rembrandt's self-portrait.
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The film's musical score cheekily incorporates the famous whistling theme from The Andy Griffith Show as a tribute to one of the most recognisable theme tunes in television history.
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