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1408 Movie Quotes

Mike Enslin [Olin gives Enslin the room key] Most hotels have switched to magnetics. An actual key. That's a nice touch, it's antiquey.
Gerald Olin We have magnetic cards also, but electronics don't seem to work in 1408. Hope you don't have a pacemaker.
Mike Enslin [into his tape recorder] General manager claims that the phantom in room interferes...
Gerald Olin I have *never* used the word "phantom."
Mike Enslin Oh, I'm sorry. Uh, spirit? Specter?
Gerald Olin No, you misunderstand. Whatever's in 1408 is nothing like that.
Mike Enslin Then what is it?
Gerald Olin It's an evil fucking room.
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Gerald Olin You do drink don't you?
Mike Enslin Of course. I just said I was a writer.
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Room 1408 Even if you leave this room, you can never leave this room!
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Father [to Mike] As I was, you are. As I am, you will be.
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[the problem about Mike staying in 1408]
Gerald Olin Look, I'm not telling you not to stay in that room for your own good or for the profit of the hotel. Frankly, selfishly, I just don't want to clean up the mess.
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Mike Enslin [talk into tape recorder] Hotels are a naturally creepy place... Just think, how many people have slept in that bed before you? How many of them were sick? How many... died?
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Room 1408 You can choose to repeat this hour over and over again, or you can take advantage of our express checkout system.
[Mike looks into the other room and sees a hanging noose]
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Mike Enslin The room's gotta be filthy. I mean, the sheets haven't been changed in... what, eleven years?
Gerald Olin No no no. We're very professional here. 1408 gets a light turn once a month. I supervise, the maids work in pairs. We treat the room as if it's a chamber filled with poison gas. We only stay 10 minutes and I insist the door remain open. But still... A few years ago a young maid from El Salvador found herself locked in the bathroom. She was only there for a few moments, but when we pulled her out she was...
Mike Enslin [sarcastically] She was dead?
Gerald Olin No. Blind. She had taken a pair of scissors and gouged her eyes out. She was laughing hysterically.
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Gerald Olin The causes of death in 1408 range from heart attack, stroke, drowning.
Mike Enslin Drowning?
Gerald Olin Yes, one Mr. Grady Miller drowned in his chicken soup.
Mike Enslin That's hard to do, h - how did he do that?
Gerald Olin How indeed.
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Room 1408 Five. This is five. Ignore the sirens. Even if you leave this room, you can never leave this room.
Room 1408 [Voice changes and handset begins to melt] Eight. This is eight. We have killed your friends. Every friend is now dead.
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[Lily is reaching Mike Enslin via his laptop]
Lily Enslin Michael? Can you hear me?
[Mike is freezing during a supernatural cold spell in Room 1408, but manages to crawl over to his laptop]
Mike Enslin Yeah.
Lily Enslin Oh, my God, thank God. Jesus, I've been trying to get through.
Mike Enslin [whispering] Did you call the cops?
Lily Enslin Yeah, yeah, they're at the hotel! Didn't you say the Dolphin?
Lily Enslin You're sure.
Mike Enslin Yes. Yes. 1408.
Lily Enslin Yeah. They're in 1408. The room's empty.
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Mike Enslin Let's "Encyclopedia Brown" this bitch.
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Mike Enslin Look man, just give me the key.
Gerald Olin Mr. Enslin, you...
Mike Enslin Just give me the key! Listen, I stayed... at the Bixby House. I brushed my goddamn teeth right next to the tub where Sir David Smith drowned his whole family, and I stopped being afraid of vampires when I was 12. Do you know why I can stay in your spooky old room, Mr. Olin? Because I know that ghoulies and ghosties and long-legged beasties... don't exist. And even if they did, there's no God to protect us from them, now is there?
Gerald Olin So I can't talk you out of this?
Mike Enslin I think we've reached an understanding.
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Gerald Olin [pats documents regarding 1408's victims] I will let you have this, give you access to my office, you can take notes and put it all in your book. My only condition... is that you do not stay in that room.
Mike Enslin You'll let me look at all that stuff?
[considering Olin's offer]
Mike Enslin I never did get that drink.
[Olin pours a glass of the $800 whiskey, handing it to Enslin. Enslin takes a sip]
Mike Enslin Ooh, that is good.
Gerald Olin [smiling] Here, keep it. Compliments of the house.
[hands bottle to Enslin]
Mike Enslin [after dropping the bottle into his bag and taking another sip] I'm still staying.
Gerald Olin [yelling] Dammit to hell!
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Mike Enslin [after escaping from the ventilation shaft and falling back into 1408] Ah, its good to be back.
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Mike Enslin He gave me booze! Did he take a sip? I can't remember. Or maybe it was the chocolate! Don't take candy from strangers!
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Mike Enslin Why don't you just kill me?
Room 1408 Because all guests of this hotel enjoy free will, Mr. Enslin.
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Mike Enslin I was out!
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Mike Enslin [after the toilet paper has been turned down, and the chocolates appear] Finally! Something to for me to write about! A ghost that offers turn down service!
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Mike Enslin [yelling at the top of his voice] We didn't do enough!
Lily Enslin [crying] Oh god! What are you talking about? We did everything we could have done!
Mike Enslin [still yelling] We should have helped her fight! Not filled her head up with bullshit stories of heaven, and clouds and nirvana!
[flips over coffee table]
Lily Enslin [crying] She liked those stories!
Mike Enslin [no longer yelling] I need to get some cigarettes...
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Gerald Olin Why do you think people believe in ghosts? For fun? No. It's the prospect of something after death.
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Gerald Olin What do you want, Mr. Enslin? You sought this room. Oh, that's right. You don't believe in anything. You like shattering people's hopes. Why do you think people believe in ghosts? For fun? No. It's the prospect of something after death. How many spirits have you broken?
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Mike Enslin Is 1408 a smoking room?
Gerald Olin As a matter of fact, it is. Yes.
Mike Enslin Good, one less worry in the watches of the night.
Gerald Olin Care for a cigar?
Mike Enslin No thank you, I don't smoke.
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Mike Enslin They say you can't die in your dreams... is that true?
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Gerald Olin The first victim, Mr. Kevin O' Malley, sewing machine salesman, checked into the hotel the first week it opened, October, 1912.
Mike Enslin Cut his own throat, right?
Gerald Olin Well that's not the horrific part. Afterwards, in a fit of insanity, he tried to stitch himself back together using an old sewing needle before he bled to death.
[leans over Mike]
Mike Enslin Easy, man.
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Mike Enslin Stay scared.
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[repeated line]
Mike Enslin All right. You win. You win.
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Katie Are there people where I'm going?
Mike Enslin Hey... you're not going anywhere, kiddo. You're going to stay right here with us.
Katie Daddy... everyone dies.
Lily Enslin When they're old.
Mike Enslin When they're much older.
Lily Enslin Okay? And then they go to a better place. It's beautiful there, all your friends will be there.
Katie Is God there?
Katie Do you really believe that Daddy?
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Mike Enslin [yelling] I want... my *drink*!
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Book Store Cashier Where is the best place where I can see ghosts?
Mike Enslin Guaranteed? Haunted Mansion, Orlando.
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[Into tape recorder, as he prepares to step out the window onto a ledge]
Mike Enslin If something should happen, if I should slip and fall, I want it known that it was an accident. The room did not win.
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Mike Enslin It's good to be back. That's enough of that. Alcohol.
[walks over to the mini-fridge and opens it, only to discover Gerald Olin talking to him]
Gerald Olin I was just checking to see if the accommodations are exceeding your expectations.
Mike Enslin YOU KNOW GODDAMN WELL THEY ARE! What do you want from me?
Gerald Olin No, no, no. What do you want? What do you want, Mr. Enslin? You sought this room.
Mike Enslin It was a job, I was just doing the job.
Gerald Olin I beg your pardon?
Mike Enslin My job, I'm a writer.
Gerald Olin Oh, that's right, you don't believe in anything. You like shattering people's hopes.
Mike Enslin Oh, that's bullshit!
Gerald Olin Why do you think people believe in ghosts? For fun? No, it's the prospect of something after death. How many spirits have you broken?
Mike Enslin What do you want from me? Huh? What do you want from me? You...
[starts violently ripping the fridge apart]
Mike Enslin You little...
[kicks the fridge repeatedly]
Mike Enslin WHAT DO YOU WANT? WHAT?
[slams the mini-fridge shut]
Mike Enslin I want... my DRINK!
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Mike Enslin [describing the room] There's a sofa, a writing desk, faux antique armoire, floral wallpaper. Carpet's unremarkable except for a stain beneath a thrift-store painting of a schooner lost at sea. The work is done in the predictably dull fashion of Currier and Ives. The second painting is of an old woman reading bedtime stories - a Whistler knockoff - to a group of deranged children while another Madonna and child watch from the background. It does have the vague air of menace. The third and final, painfully dull painting, the ever popular "The Hunt". Horses, hounds and constipated British lords. Some smartass spoke about the banality of evil. If that's true, then we've in the 7th circle of hell.
[turns off tape recorder and pauses, then turns it back on]
Mike Enslin It does have its charms.
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[examining the mini-bar in room 1408]
Mike Enslin Eight dollars for Beer Nuts? This room *is* evil!
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Mike Enslin [sobbing] No... no, you can't take her twice...
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[last lines]
Mike Enslin [on tape recorder] I've got you now, Katie. Oh my God. I'm not gonna let you go.
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Gerald Olin Well done Mr. Enslin, well done.
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Mike Enslin The decor is in tatters and the staff's early. But on the Shiver Scale, I award the Dolphin Hotel ten skulls!
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Kevin O'Malley [wheezing because his throat has been slit] HELLLPPPP MEEEE...
Mike Enslin ...Oh no... no... OH, no no no no no NO! No, I can't help you!
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Gerald Olin Hotels are all about presentation and fertile creature comforts.
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Katie Daddy!
Mike Enslin No, you're not real.
Katie I'm cold!
Mike Enslin No, you're not Katie!
Katie I love you Daddy. Don't you love me anymore?
Mike Enslin Of course I do, sweetheart!
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Mike Enslin We're here to do a job, and we don't rattle.
[speaking into recorder]
Mike Enslin "The décor is in tatters, and the staff is surly, but on the Shiver Scale, I award the Dolphin ten skulls."
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Mike Enslin We don't rattle, do we?
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Mike Enslin I've lived the life of a selfish man. But I don't have to die that way. If I'm going down, I'm taking you with me. This may not all be real, and I may not even be real, but this fire, that's gotta be real
[lights Malatov cocktail and throws against wall]
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Gerald Olin Well done, Mr. Enslin. Well done.
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[repeated line in flashbacks]
Mike Enslin I'm going out to buy some cigarettes.
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Mike Enslin [staring at the endless door] Open it.
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Katie [while room burns] Daddy... Everyone dies.
Mike Enslin [Starts laughing hysterically]
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Mike Enslin I'm trying to accurately describe Orpheus on the Orpheum Circuit. Bathed in tango light, the kind of light that makes the dead get out of their graves and tango. Now, this is level nine, the deepest level of hell, furthest removed from all light and warmth. This is six. It's goddamn five. I think I see the pattern.
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[first lines]
Mike Enslin Hi. Mike Enslin. Checking in.
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Mike Enslin I'm afraid I can't express myself in this climate.
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